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The 11 stacked and interlocked boxes that make up the structure jut out at different angles, their slatted yellow-pine exterior alluding to the latticework screens that often covered Ottoman-era bay windows. Those design ideas carry into the interior of the museum, where soft light filters into exhibition spaces of assorted shapes and sizes. These range from a towering gallery currently housing a monumental bamboo sculpture commissioned from Japanese artist Tanabe Chikuunsai IV to an intimate, cave-like space under the entrance stairs where a cheeky video piece by Universal Everything marches across the wall. Having made his fortune in the construction industry, Tabanca commissioned the museum as a way to showcase his collection and spur the growth of an arts scene in his home city, a university town that has built a reputation for forward-thinking urbanism.
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